• SNAP (ALLBLK/AMC)

• Little Fires Everywhere (Hulu)

• Impulse (NBC/Universal)

• End of the Road (Netflix)

• Shameless (Showtime)

• POSE (FX)

• Supergirl (CW)

• Nocturnal (Independent)

• Surface (Apple TV+)

• Lawmen: Bass Reeves (Paramount+)

• The Politician (Netflix)

FULL SCENES AVAILABLE UPON REQUEST – JUST ASK!
NOTE: Some scenes were cut by Brian while credited as an Assistant Editor.
All copyrights reserved by respective owners.

SELECTED VISUAL EFFECTS WORK:

Alongside picture editorial, I build visual effects: temp comps that guide vendors and keep a cut working, and finished shots that go to air. A sample of what I’ve built and how:

Supergirl (CW) — VFX Assistant Editor, Season 2

Supergirl S2: Temp heat vision, particle system in After Effects.

Supergirl S2: Temp cold breath, particle system in After Effects.

Supergirl S2: Temp of holograph of Supergirl with lens flare effect.

Supergirl S2: Temp of plasma device using partical emitter in After Effects.

Supergirl S2: Temp comp of planet with 3 moons.

Supergirl S2: Temp shot of explosions during action scene.

Temp effects throughout the season. Particle-based freeze breath and heat vision built in After Effects. Flight exits created by rotoscoping the actor off the plate and animating her out of frame. Green screen comps, screen comps, plasma effects, holograms, set extensions, crowd replication, alien gun/laser effects.

9-1-1 (Fox)

9-1-1: Signature dispatcher waveform, built in After Effects. Aired in 140+ episodes.

Designed the signature on-screen motion waveform graphic for the original Fox series 9-1-1 in After Effects. This motion graphic has been a signature of the show’s style and has aired across 140+ episodes to date.

American Horror Story (FX)

American Horror Story Facebook Live overlay with animated scrolling comments, built in After Effects. Aired.

Built a Facebook Live overlay with animated scrolling live comments. Shot went to air.

SNAP (ALLBLK/AMC)

SNAP: split-screen shot with animated on-screen emails tracking a reporter’s narration, composited in After Effects. Aired.

Designed and animated a split-screen sequence pairing a reporter’s narration with on-screen email text that tracked as she read it. I wrote the emails, filmed them off a monitor, and animated the result. Also built picture-in-picture comps for the series. All effects went to air.

The Politician (Netflix)

Politician: Paint comp, product image replaced on catalog page. Source plate shot by me. Aired.

Did a paint comp replacing a product image on a printed catalog page. I shot the source plate myself from a book and then comped in the furniture. Shot went to air.

VEEP (HBO)

After Effects composites, and day-for-night temps graded in DaVinci Resolve.

Surface (Apple TV+) and POSE (FX)

Temp keying, roto, split screens, paintouts, and monitor comps.

Independent features and shorts

Screen replacements tracked onto phones and monitors, object paint-outs, titling, film grain, and color treatments.

Sizzle reels (2022 to 2026)

Six broadcast pitch reels for clients including Village Roadshow and Red Rock Films. All titling, plus heavy paint work removing network bugs and lower thirds from sourced footage.

A note on scope: the Supergirl, VEEP, Surface, and POSE work above is temp compositing done inside editorial, built to guide vendors and prove the cut. The 9-1-1, SNAP, American Horror Story, and The Politician shots are final and aired.

STILLS AND FULL SHOTS AVAILABLE UPON REQUEST – JUST ASK!